BORN: April 14, 1879 Vienna, Austria[1]

DIED: October 20, 1950 Highland Park, IL

MARRIED: January 14, 1904 Marie Washick of Chicago

TRAINING

Vienna, studied music

1895 Art Institute of Chicago, evenings

c.1900 J. Francis Smith Art Academy, Chicago

1910-1911 Chicago Academy of Fine Arts, Sundays

1911 Art Institute of Chicago, summer evenings with Antonin Sterba

Chicagoor St. Louis, Walter Dean Goldbeck

ART RELATED EMPLOYMENT

1910s-on Commercial illustration and design[2]

1912 Murals, library of Bohemian Arts Club, Chicago[3]

1920s Calendar illustrations with Mrs. L. G. Woolfenden and Goddard Studios[4]

1933 Groh Associates for Westinghouse Corporation, paintings of A Century of Progress World’s Fair[5]

1933 Painted statue of The Doctor, Petrologar Laboratories exhibit, Hall of Science, A Century of Progress World’s Fair[6]

1940 Sign, Highland Park Library[7]

1940 Portrait of Governor Dunne; Commission for the Encouragement of Local Art[8]

1941 Portrait of Judge Robert Nash Ogden, Federal Art Project[9]

TEACHING[10]

1915 Lake Taneycomo, Missouri[11]

RESIDENCES

1879-1891 Vienna[12]

1891-1924 Chicago

1924-1950 Highland Park [formerly Ravinia], IL[13]

TRAVEL

1908,[14] 1909[15] Brown County, IN

1910 Martinsville and Oldenburg, IN[16]

1913 Buchanan, MI[17]

1913-1915, 1920-1922[18] Ozark Mountains, MO[19]

1916 Western U. S.[20]

1919 Brown County[21]

1920 Grand Canyon; Estes Park, Colorado; Yellowstone National Park[22]

1924-on Smoky and Cumberland Mountains, NC and TN

1921 Galena, MO (fall)[23]

1925 Laurel, MS[24]

1926 Bryson City, NC[25]

1930 Thorsen’s Harbor, Horland, MN[26]

1935 Bohemia; Europe[27]

1937 Bryson City and Charlotte, NC[28]

1938 Great Smokies National Park, NC[29]

1938 Asheville, NC[30]

1945 Taxco, NM[31]

MEMBERSHIPS/OFFICES

Art Institute of Chicago Alumni Association (vice president 1922-1927,[32] 1930)

Association of Chicago Painters & Sculptors (vice-president 1929[33]-1932,[34]1942-1943,[35]board 1933-1939)

Chicago Galleries Association (board 1931)

Chicago Society of Artists (treasurer 1910-1921,[36]secretary 1918-1919, president 1921-1923,[37])

Cliff Dwellers Club of Chicago

Highland Park Library (board)

Little Room, Chicago[38]

L’Union Internationale des Beaux-Arts et des Lettres[39]

Municipal Art League (board 1923-1950)

North Shore Art League (president, founder, 1924-1925)[40]

Palette & Chisel Club (vice president 1909)[41]

Society of Ozark Artists (founder with Carl Krafft 1914)[42]

Society of Painters of the Forest Preserve (founder 1920)[43]

Society of Western Artists, Associate (1908)[44], Full (1911)[45]

HONORS

1914 Associate Members Prize, Palette & Chisel Club annual[46]

1916 Arché Club Purchase Prize, Art Institute of Chicago, Chicago & Vicinity[47]

1916 Gold medal, Bohemian Arts Club[48]

1920 Silver medal, Illinois Artists Exposition

c.1920 Honorable Mention, MacDowell Society of Allied Arts[49]

1921 Associate Members Prize, Palette & Chisel Club annual[50]

1922 Silver Medal (first prize), Peoria Society of Allied Arts, Paintings by Illinois Artists[51]

1923 Chicago Society of Artists Silver Medal (first prize), Art Institute of Chicago, Chicago & Vicinity[52]

1923 Municipal Art League Purchase Prize, Art Institute of Chicago, Chicago & Vicinity[53]

1925 Honorable Mention, Woman’s Club of Evanston Artists of the North Shore

1925 Municipal Art League Prize, Palette & Chisel Club Annual[54]

1926 (Mar.) Fourth Purchase Prize, Chicago Galleries Association[55]

1926 (Nov.) Sixth Purchase Prize, Chicago Galleries Association

1927 (Dec.) Fifth Purchase Prize, Chicago Galleries Association[56]

1927 Mr. & Mrs. Jule F. Brower Prize, Art Institute of Chicago, Chicago & Vicinity[57]

1928 William Randolph Hearst Prize, Art Institute of Chicago, Chicago & Vicinity[58]

1928 Frank G. Logan Purchase Prize, Art Institute of Chicago, Chicago & Vicinity [59]

1928 Association of Chicago Painters & Sculptors Gold Medal, Art Institute of Chicago, Chicago & Vicinity [60]

1929 Gold Medal, Palette & Chisel Club annual[61]

1929, 1930 Purchase Prizes, Chicago Galleries Association

1930 Bronze Medal, Ashville, NC[62]

1930 Special Award of Honor, Springville, UT[63]

1931 (10/27) Gold Medal, Bohemian Arts Club, Czechoslovakian Independencetribute

1931 Popular Prize, Woman’s Club of Evanston, Annual Exhibition of Evanston and North Shore Artists[64]

1932 President Prize, Woman’s Club of Evanston, Artists of the North Shore[65]

1933 First Prize, Woman’s Club of Evanston, Artists of the North Shore[66]

1933 Gold medal, All-Illinois Society of Fine Art annual[67]

1934 John C. Shaffer Best Oil Landscape Prize, Woman’s Club of Evanston, Artists of the North Shore

1936 Second L. L. Valentine Prize, Association of Chicago Painters and Sculptors annual[68]

1937 Most Outstanding Painting Prize, Woman’s Club of Evanston, Artists of the North Shore[69]

1937 Mrs. Frank Logan Prize, Chicago Galleries Association[70]

1938 L. L. Valentine Prize, Association of Chicago Painters & Sculptors annual

1938 Second Landscape Prize, Woman’s Club of Evanston, Artists of the North Shore[71]

1938 Waldo Logan Prize, Society for Sanity in Art, Chicago[72]

1939 Mrs. Frank Logan Blue Ribbon, Society for Sanity in Art, Chicago Galleries Association[73]

1946 Barnes Prize, Woman’s Club of Evanston, Annual Exhibition of Evanston and North Shore Artists

1946 Purchase Prize, Springville Museumof Art[74]

1946 Honorable Mention, Ogunquit Art Center[75]

1948 Blue Ribbon and $100 Prize, Chicago Galleries Association annual[76]

JURIES SERVED

All American Exposition, Chicago, art committee 1919

All-Illinois Society of Fine Arts annual 1933[77]

Art Institute of Chicago, Alumni Retrospective 1923

Art Institute of Chicago, American Annual 1919, 1927

Art Institute of Chicago, Associated Amateur Art Clubs 1928

Art Institute of Chicago, Chicago & Vicinity 1921, 1922, 1923, 1930, 1933

Association of Chicago Painters and Sculptors annual prize awards 1937

Businessmen’s Art Association first exhibit at the Art Institute of Chicago 1928[78]

Central States Exposition, Aurora 1922

Chicago Galleries Association semi-annual 1929 (Spring), 1935 (Winter)

Hoosier Salon 1933, 1945,[79] 1950[80]

Illinois Academy of Fine Arts annual 1928, 1929

Indianapolis Museum of Art (John Herron), Indiana Artists 1943

Pennsylvania Academy of Fine Arts annual 1922

Rockford Art Association annual 1926, 1927, 1947

St. Louis Art Museum, American Annual 1930

Swedish American Artists annual, Chicago 1924,[81] 1931, 1933, 1941[82]

Woman’s Club of Evanston, Annual Exhibition of Evanston and North Shore Artists 1926

GROUP EXHIBITIONS

A Century of Progress Exposition, Horticulture Building, Flower Paintings 1933

All-Illinois Society of Fine Art annual 1926, 1932-1934

All-Illinois Society of Fine Art, Century of Progress Exhibition 1933[83]

American Federation of Arts Traveling Exhibition 1931-1933

American Federation of Arts Traveling Exhibition of Chicago Artists 1931-1932

Art Institute of Chicago, American Annual 1925, 1927, 1943

Art Institute of Chicago, Century of Progress 1933, 1934

Art Institute of Chicago, Chicago & Vicinity 1920,[84] 1921,[85] 1931[86]

Art Institute of Chicago, Chicago Society of Artists: 33 Paintings 1914[87]

Art Institute of Chicago, Continuous Exhibit of Chicago Art 1911

Art Institute of Chicago, Friends of our Native Landscape 1919

Art Institute of Chicago, Paintings By Contemporary Chicago Artists 1936[88]

Art Institute of Chicago, The Charles Deering Collection 1930

Art Institute of Chicago, Paintings by Members of the Palette and Chisel Club 1916[89]

Artists’ Guild of Chicago1913

Artists’ Guild of Chicago, Pochard Paintings 1913

Arts Club of Chicago annual shows by members 1917-on, 1939[90]

Association of Chicago Painters & Sculptors annual 1927-1932[91]1935, 1936, 1938-1945, 1947-1950

Bohemian Arts Club annual at Newcomb-Macklin 1921

Bohemian Arts Club, Dvorak Parkshow 1914

Bohemian Arts Club annual 1930

Brush and Pencil Club, St. Louis, Ozark Mountain sketches 1913

Brush and Pencil Club, St. Louis, Ozark Mountain Sketches By Members Of The Palette And Chisel Club 1913

Bryn Mawr Woman’s Club, Stoney Island Avenue Window Display 1923

Carson, Pirie, Scott & Co. Gallery, Mid-Priced American Artists 1933[92]

Carson, Pirie, Scott & Co. Gallery, Chicago Artists 1933[93]

Carson, Pirie, Scott & Co. Gallery, Six ChicagoArtists 1933 (6/17)

Carson, Pirie, Scott & Co. Gallery, Joliet Woman’s Club 1927

Carson, Pirie, Scott & Co. Gallery, Nine ChicagoPainters 1934

Carson, Pirie, Scott & Co. Gallery, $100 paintings 1932

Central States Fair and Exposition, Aurora, Illinois1922[94]

Chicago Galleries Association, Eight Chicago Artists 1930,[95] 1931[96]

Chicago Galleries Association, Summer Show 1935[97]

Chicago Galleries Association semi-annual 1926-1931 annual 1933-1939, 1942-1945, 1948-1950, 1952[98]

Chicago Galleries Association, opening of new galleries (Oct. 1936)

Chicago Garden and Flower Show, Sherman Hotel

Chicago Lighting Institute, Groh Associates, Scenes of a Century of Progress by Prominent Artists 1935[99]

ChicagoSociety of Artists at Kelley Brothers American Art Galleries1910

ChicagoSociety of Artists Traveling Show 1923[100]

Chicago Woman’s Club

Corcoran Gallery of Art Biennial Exhibition 1937

DecaturMunicipal Art League 1911[101]

Detroit Institute of Arts

Gallery of Contemporary Art, Chicago, First Group Exhibition 1932

Garfield Park Gallery, Municipal Art League Collection 1936

Garfield Park Gallery, Works Purchased by the Commission for the Encouragement of Local Art, 1936[102]

Groh Associates at Marshall Field & Company Galleries 1934,[103]1935[104]

Hickory Museum of Art

Illinois Academy of Fine Arts 1926, 1929, 1930, 1931

IllinoisProducts Exposition 1924[105]

IllinoisState Fair 1948

Illinois State Museum1941[106]

Illinois Woman’s Athletic Club, Beidler Gallery, Men Painters of Chicago and Illinois1927

Indianacircuit exhibit including Richmond, Muncie and Vincennes 1908[107]

Indianapolis Art Museum (John Herron Art Institute), American Annual 1926[108]

International Building, Rockefeller Center, First National Exhibition of American Art 1936

Iowa State Fair; Chicago Galleries Association 1939[109]

Los Angeles Exposition Park, Loan Collection of Preston Harrison 1917

Marshall Field & Co. Gallery, American Art annual 1912, 1913[110]

McCaughen-Burr Galleries, Society of Ozark Painters1915

Milwaukee Art Institute, Selections of Artists of Chicago1926[111]

Minnesota State Art Society annual 1913[112]

National Academy of Design annual 1931, 1932, 1936, 1943, 1945

Nebraska Art Association annual 1926, 1928

Nelson-Atkins Museum of Art

North Shore Art League 1929[113]

Ogunquit Art CenterAnnual 1946, 1949

Pageant of Progress at Congress Hall, Municipal Pier, Chicago 1921[114]

Palette & Chisel Club annual 1909[115], 1912, 1916[116], 1917, 1927, 1929, 1932

Palette & Chisel Club, Thumb-box sketches 1910[117]

Panama-Pacific Exposition, San Francisco, Illinois State Building 1915

Pennsylvania Academy of Fine Arts annual 1913, 1922

PeoriaSociety of Allied Arts, Paintings by IllinoisArtists 1918

Rockford Art Association annual 1925

RockfordArt Association, Seven Chicago Artists 1928[118]

Rogers Park Woman’s Club 1921

ShawneeCountry Club, Wilmette, Illinois, Five ChicagoArtists 1930[119]

Sioux City Woman’s Club, Chicago Artists 1913

Society for Sanity in Art at Chicago Galleries Association, Chicago 1938[120]

Society of Western Artists annual 1907, 1908,[121] 1909, 1911, 1912

South Bend, Indiana Art League 1911,[122] 1912[123]

Springville Utah Museum of Art annual 1934,[124] 1936, 1937,[125]1939[126]

St. Louis Museum of Art, American Painting 1920, 1930

Terre Haute Art Association 1914[127]

Thurber Art Galleries, Chicago, Sale of American Paintings 1917

Toman Library branch, Chicago, honoring twentieth anniversary of the branch library 1947[128]

University Guild, Evanston, Association of ChicagoPainters and Sculptors 1928

Winnetka, Illinois Community House, Festival of Religious Art 1934[129]

ONE, TWO OR THREE MAN EXHIBITIONS

1912 Terre Haute Art Association[130]

1914 His studio, 606 S. Michigan, The Shepherd of the Hills[131]

1914 Taneycomo Club, Missouri[132]

1914 Springfield Club, Missouri[133]

1915 Springfield, MissouriArt Society and Society of Painters of the Ozarks at Greater Heer Store, Springfield, with Carl R. Krafft and Frank Nuderscher[134]

1917 (12/18) Harvester Building, Chicago Paintings of the Ozarks[135]

1922 Palette & Chisel Club

1922 Bryn Mawr Woman’s Club, Chicago[136]

1925 Rockford Art Association[137]

1928 North ShoreArt League[138]

1929 Highland Park, IllinoisWoman’s Club[139]

1930 Art Institute of Chicago[140]

1930 ShawneeCountry Club, Chicago[141]

1930 Chicago Galleries Association[142]

1931 Kenosha Woman’s Club[143]

1933 Carson, Pirie, Scott & Co. Gallery

1934 Birren Studio, Chicago[144]

1935 Chicago Galleries Association[145]

1936 Cliff Dwellers Club of Chicago, Sketches of the Century of Progress[146]

1937 Chicago Galleries Association[147]

1937 Mint Museum of Art[148]

1938 ChicagoMotor Club[149]

1939 Chicago Galleries Association[150]

1939 Wightman Memorial Gallery, Notre Dame University[151]

1939 North Shore Art League[152]

1940 (Mar.) Chicago Galleries Association

1941 (Mar.) Chicago Galleries Association

1942 Arts Club of Chicago

1944 Mint Museumof Art[153]

1945 Hickory Museum of Art, North Carolina[154]

1946 Cliff Dwellers Club, Chicago[155]

1949 Ravinia, IllinoisWoman’s Club[156]

1951 Chicago Galleries Association[157]

PERMANENT COLLECTIONS

Art Institute of Chicago, Swappin’ Grounds; Frances Shimer College, Dream City[158]; Princeton University; City of Chicago; Eastman Museum of Art; Great Smoky Mountains National Park, Aunt Winchester[159]; Parkside School, Chicago[160]; Rockford Art Museum[161]; Springville Museum of American Art; Union League Club of Chicago

INTERESTING NOTES

Descended from a family of jewelers and doctors in Bohemia, Ingerle initially sought to be violinist.[162]Ingerle early in his career became associated with John Hafen in Brown County, Indiana. His closet friend was the painter Carl Rudolph Krafft.

Eleanor Jewett commented on his works an Art Institute exhibition in 1927 “Rudolph Ingerle is one of Chicago's most brilliant landscape painters. His compositions are on a large scale and invariably are beautifully composed. His use of color, yellows and browns particularly, is thrilling. He paints mountains so real one almost feels their presence. He paints landscapes like poems. His sunshine and shadows are magically complete.”

Of modern art Ingerle commented, “Most of those futurists are following Cezanne, who could do great work in spite of the worst technical faults - and they copy only his faults! As for the movement as a whole, it is a clever scheme for separating men from their money.”[163]

In 1929 his Moonlace, earlier given to the Waters school in Chicago, was featured by Eleanor Jewett in her regular WGN radio show.[164]

[1]Aaron Galleries, Glenview, IL made available the Ingerle family scrapbook a copy of which is now in the IHAP Library. References are noted by “Ingerle Scrapbook.” For an overview of his career see: C. J. Bulliet, “Artists of Chicago Past and Present,” Chicago Daily News, 7/27/1935, Art, Antiques and The Artists section. C. J. Bulliet, “Art in Chicago,” Art Digest, Vol. 25, 2/15/1951, p.15. It appears he may have been born in a small town in Moravia which later became Czechoslovakia, and that Vienna might have been a convenient place for him to say he was born.

[2]August Petrtyl operated a company called the Publicity Art Shop located in the Harvester Building in Chicago. His letterhead did not show any partners however a letter to Frank Werner of the Chicago Commission for the Encouragement of Local Art on February 27, 1915, is signed by Petrtyl as well as Chicago artists Carl R. Krafft and Ingerle. When the autumn season came, Ingerle would usually abandon his advertising illustration work and begin painting his landscapes. Maude I. G. Oliver, “Posters and the Community,” The Poster, October 1926, p.24. See also letter to Ingerle from Justus Schlichting, 6/12/1942, Ingerle Scrapbook.

[3]“Bohemian Club Opens New Home,” Chicago Tribune, 12/8/1912, p.7. The club was in the former residence of Senator Lorimer at Lawndale and Douglas.

[4]The connection is not completely clear however several copyrights on such illustrations include all three parties. At the time Mrs. Woolfenden may have been operating as the successor to Arthur Studios in Detroit. One piece entitled Comrades of the Wild, was first issued in 1925 for a calendar by Thomas D. Murphy Co., Red Oak Iowa, per collector Rick Starets. A notation on the back of the illustration states: “The coloring was done by Mr. Rudolph Ingerle…” Ingerle’s work was also used in illustrations for the Brown & Bigelow Calendar company, who customized calendars for a wide variety of clients. “L. Goddard” was the pseudonym for a pair of enterprising commercial artists: L.G. Woolfenden, a successful Detroit area commercial photographer, and Ingerle.

[5]Photocopy of Groh Associates plaque, 1933, Ingerle Scrapbook, IHAP Library. The Groh Associates were thirteen artists commissioned by Westinghouse Corporation to depict in paintings an attempt to capture light and its phenomena. The works were exhibited at Marshall Field & Company Galleries in 1934. In 1935, and likely beyond, Westinghouse sponsored lighting dealer calendars that featured reproductions of one of Ingerle’s illustrations. Information taken from a Western Auto Parts calendar original.

[6]“A Lesson In Art,” unknown newspaper clipping, 1933, Ingerle Scrapbook. The sculpture was created by John Paulding and Ingerle painted the casting. This was in collaboration with Chicago sculptor John Paulding. Eleanor Jewett, “News of Interest to Art and Artists,” Chicago Tribune, 5/28/1933, part 8, p.6.

[7]Charlotte McKinney, “Austrian Artist Becomes All-American In His Work,” unknown local newspaper, 9/16/1940, and letter to Ingerle from Mrs. George Bliss, 9/16/1940, both Ingerle Scrapbook.

[8]Letter to Charles H. Burkholder from Rudolph Ingerle, 11/25/1940, Ingerle Scrapbook.

[9]Letter to Ingerle from Carter H. Harrison, 1/18/1941; Letter to Mrs. Carter Harrison from Bill Ogden, 3/24/1941; Letter to Ingerle from Carter H. Harrison, 3/27/1941, Ingerle Scrapbook.

[10]Ingerle appeared to never have actively taught art lessons. His painting The Last Ray, was used as an art educational tool for children in the Chicago Public Schools. Letter to Ingerle from Lucy Silke, 8/15/1910, Ingerle Scrapbook. The piece was illustrated in Popular Educator, April 1913, Ingerle Scrapbook.

[11]It is unclear if this school ever began. “Artists Consider Plans For School In Taney County,” Springfield Republican, no date, Ingerle Scrapbook, and St. Louis Globe Democrat, Sunday 11/7/1915, Ingerle Scrapbook.

[12]John F. Dechow, “Rudolph F. Ingerle,” All-Arts Magazine, Vol. 1, No. 2, March 1925, p.6. He first lived in Burlington, Wisconsinbefore coming to Chicago. Edna Sellroe, “Art…Rudolph Ingerle,” Artistry, December 1937, p.2.

[13]The move was announced in The Chicago Evening Post Magazine of the Art World, 10/7/1924, col. 3, p.16.

[14]“New Art Field Discovered,” Chicago Tribune, 11/28/1909, p.5.

[15]“Brown County, Ind., May Not Have a Railroad, But It Holds Peculiar Charms for Chicago Artists,” Chicago Tribune, 12/5/1909, part 9, p.4. He was there with a group of Palette & Chisel Club members. His Evening Glow was illustrated with the article.

[16]Chicago Record-Herald, 11/20/1910 in Art Institute of Chicago Scrapbooks, vol. 27. He was on a sketching trip with the Palette & Chisel Club.

[17]Lena M. McCauley, “Art and Artists,” Chicago Evening Post, 6/5/1913, p.10.

[18]Dates from the early 1920s are taken from titles of works he exhibited in annual shows at the Art Institute of Chicago.

[19]Letter from Carl R. Krafft to Miss Alling, IHAP Library, 11/12/1920. Krafft tells of Ingerle coming for a stay during this period.

[20]It was announced in “Chicago Artists and Their World,” Chicago Journal, 4/8/1916in Art Institute of Chicago Scrapbooks, vol. 34, he would be going West with a new organization known as the “Trailers.” They traveled on a studio car furnished by the Chicago, Burlington & Quincy Railroad. Paintings from the trip were to be shown across the country to encourage interest in the West as a typically American painting ground. “Chicago Artists and Their World,” Chicago Evening Journal, 4/8/1916, in Art Institute of Chicago Scrapbooks, vol. 34, p.49.

[21]“Our Artist Friends,” in “News Of The Art World,” supplement, Chicago Evening Post, 5/6/1919, p.6. He traveled there with close friend Carl Krafft.

[22]“From F. R. Ingerle,” in “News Of The Art World,” supplement, Chicago Evening Post, 8/31/1920, p.10.

[23]“About Our Friends,” “News Of The Art World,” supplement, Chicago Evening Post, 11/1/1921. He was there with his family and that of his friend Carl Krafft.

[24]Mockup of local Laurelnewspaper, 7/18/1925, Ingerle Scrapbook.

[25]He wrote a letter to the newspaper concerning the region in Lena M. McCauley, “Landscape and Sea by Local Painters,” The Chicago Evening Post Magazine of the Art World, 2/15/1927, p.16. He traveled there with fellow artist Otto Hake. The trip is also recounted in Rudolph Ingerle, “The Land of the Sky,” The Palette & Chisel, January 1927.

[26]Lena M. McCauley, “Artists Write of Summer Jaunts,” The Chicago Evening Post Magazine of the Art World, 9/2/1930, p.4. The Ingerles were guests of John Spelman, Chicagoartist.

[27]Eleanor Jewett, “Summer Finds Chicago Artists on the Wing,” Chicago Tribune, 8/4/1935, part 8, p.5, and “Chicagoan Will Fly on Maiden Trip of Airship,” Chicago Tribune, 8/11/1935.

[28]“South’s Landscape Praised By Painter,” unknown Charlottenewspaper, 5/?/1937, and “Paintings Are Shown At Inn,” Asheville Citizen, 5/25/1937, both Ingerle Scrapbook.

[29]He was pictured painting in “Puts Tarheelia On Canvas,” Charlotte Observer, 10/30/1938, Ingerle Scrapbook.

[30]“Artist Leaves After Sketching In W. N. C., Asheville Citizen, 11/4/1938.

[31]Handwritten captioned photograph, Ingerle Scrapbook.

[32]Eleanor Jewett, “Art And Artists,” Chicago Tribune, 4/8/1923, p.D9.

[33]Eleanor Jewett, “Notes of Art and Artists,” Chicago Tribune, 5/6/1928, p.H11.

[34]Eleanor Jewett, “Arts Club Show Opens,” Chicago Tribune, 4/20/1930, p.G5. “Painters-Sculptors Officer,” The Chicago Evening Post Magazine of the Art World, 6/9/1931, p.3.

[35]Letter to James Topping from Marie Blanke, IHAP Library, 5/12/1942.

[36]See for example, “Artists’ Society Elects,” Chicago Tribune, 4/4/1916, p.15 or “Mrs. Pauline Palmer President of Artists,” Chicago Tribune, 4/8/1920, p.11.

[37]“Ingerle Heads Artists Club,” Chicago Daily News, 4/7/1921, Ingerle Scrapbook. “Artists Elect Officers,” Chicago Tribune, 4/4/1922, p.23.

[38]“List Of Members Little Room 1922,” Newberry Library, Midwest, MS, Little Room, Box 2, 1922.

[39]“Rudolph F. Ingerle,” Annual Report of the Artists’ Guild, (Chicago: The Artists Guild, 1917), p.26.

[40]“North ShoreDisplay Of Art Impressive,” Chicago Daily News, 3/2/1925. Eleanor Jewett, “Art And Artists,” Chicago Tribune, 11/23/1924, p.I8.

[41]“Art and Artists,” ChicagoEvening Post, 1/23/1909, p.4.

[42]Lena M. McCauley, “Art and Artists,” Chicago Evening Post, 11/11/1915, p.8.

[43]“Chicago Artists,” The American Magazine of Art, Vol. 12, No. 11, 11/1921, p. 394.

[44]Letter to Ingerle from Walter MarshallClute, 12/25/1908.

[45]Letter to Ingerle from Oscar E. Berninghouse, 11/21/1911, Ingerle Scrapbook.

[46]“Higgins Gets Palette and Chisel Medal,” unidentified newspaper clipping, IHAP Library. “Pallette Club Awards Medal,” unidentified clipping, 2/?/1914, Ingerle Scrapbook.

[47]“Arche Club Picks Art By Ingerle,” Chicago Examiner, 2/19/1916. Anne Ellis, “Art,” Chicago Tribune, 2/19/1916, p.14. The club purchased Ozark Autumn Glories.

[48]“The Bohemian Arts,” The Chicago Evening Post Magazine of the Art World, no date, Ingerle Scrapbook. The prize was awarded his Silver Dawn. The date is confirmed by a biographical summary of his career in a published pamphlet appearing on the verso of his painting, eBay item #120385338232, 3/5/2009.

[49]Handwritten entry, Ingerle Scrapbook.

[50]Op. cit., eBay item #120385338232, 3/5/2009.

[51]“Here and There,” in “News of the Art World,” supplement, Chicago Evening Post, 11/7/1922, p.11. The prize was awarded his painting Moonlight. Eleanor Jewett, “Art And Artists,” Chicago Tribune, 11/12/1922, p.G18.

[52]Eleanor Jewett, “Art And Artists,” Chicago Tribune, 3/4/1923, p.D9. “Ingerle Wins Medal,” Chicago Evening Post, no date, 2/1923, Ingerle Scrapbook.

[53]They purchased his Lifting Veil, now in the collection of the Union League Club of Chicago. In “Art League Buys ‘The Last Glow’ By R. Ingerle,” unknown newspaper clipping, it is incorrectly stated which painting was purchased. The purchase was confirmed in a letter to Ingerle from Robert B. Harshe, 3/20/1923, Ingerle Scrapbook.

[54]The prize was awarded his Moonlight Sonata, illustrated in The Chicago Evening Post Magazine of the Art World, 5/5/1925, p.9. Eleanor Jewett, “Art And Artists,” Chicago Tribune, 4/19/1925, p.E8.

[55]Letter to Members of the Chicago Galleries Association from Henry L. Engle, 3/30/1926. Eleanor Jewett, “Art And Artists,” Chicago Tribune, 4/4/1926, p.E5. His Moonlight was chosen as the prize.

[56]The prize was awarded his In The Great Smokies, Eleanor Jewett, “Carl C. Preussl Wins Principal Art Prize of Chicago Galleries,” Chicago Tribune, 1/12/1928, p.25.

[57]The prize was awarded his Sundown on the Holler. Marguerite B. Williams, “Awards Announced In Chicago Art Show,” Chicago Daily News, c,2/3/1927, Ingerle Scrapbook. McCauley, The Chicago Evening Post Magazine of the Art World, 2/15/1927, p.16. Inez Cunningham, “Exhibition by Chicago Artists to Open Today,” Chicago Tribune, 2/3/1927, p.23.

[58]The prize was awarded his Swapp’n Ground, still in the collection of the Art Institute. Letter to Ingerle from Robert Harshe, 2/8/1928, Ingerle Scrapbook. “Ingerle Wins Hearst Prize,” Chicago Herald Examiner, 2/9/1928, Ingerle Scrapbook. Eleanor Jewett, “Dignity, Beauty Blazing Color in Art Exhibit,” Chicago Tribune, 2/9/1928, p.13.

[59]The prize was awarded his Swapping Grounds. The hanging of the painting at the Art Institute of Chicago is described in “Ingerle Painting Hung,” The Chicago Evening Post Magazine of the Art World, 7/24/1928, p.2 and illustrated in the 10/2/1928 issue, p.4. It was illustrated again in the 8/19/1930 issue, p.2, and Chicago Daily News, 7/27/1935, Ingerle Scrapbook.

[60]The prize was awarded his Swapping Grounds. “Stacey and Ingerle Work Take Prizes,” The Chicago Evening Post Magazine of the Art World, 3/20/1928, p.5.

[61]“Ingerle Canvas Wins Palette-Chisel Medal,” The Chicago Evening Post Magazine of the Art World, 5/21/1929, p.6. The prize was awarded his Night Glories, illustrated in the 5/28/1929 issue, p.9. The painting was titled Moonlight Fantasy by an unidentified newspaper clipping, Ingerle Scrapbook, IHAP Library. It is referred to as probably his finest work and titled Night Glories in “Our Thirty-fifth Annual Exhibition,” The Palette & Chisel, Vol. VI, May No. 5, 1929, p.2. It is discussed in Eleanor Jewett, “Paintings at the Palette and Chisel,” Chicago Tribune, 4/28/1929, p.G6. It was further titled Moonlight Fantasy, in Eleanor Jewett, “Frederic M. Grant Exhibit Rich in Color,” Chicago Tribune, 6/2/1929, p.H6.

[62]Op. cit., eBay item #120385338232, 3/5/2009.

[63]Op. cit., eBay item #120385338232, 3/5/2009.

[64]“Evanston Art Awards,” The Chicago Evening Post Magazine of the Art World, 3/31/1931, p.2. The prize was given his Patterns of the Mist.

[65]Op. cit., eBay item #120385338232, 3/5/2009.

[66]Eleanor Jewett, “Announces Plans at Evanstonand North Shore Artists’ Exhibit Dinner,” Chicago Tribune, 3/26/1933, Ingerle Scrapbook. The prize was awarded his Mirrored Moonlight.

[67]The prize was awarded his Looking Through. C. J. Bulliet, “Around the Picture Galleries: All-Illinois Show,” Chicago Daily News, 11/25/1933, Art and Artists section, p.24. Eleanor Jewett, “Tell Winners in Exhibit of State Artists,” Chicago Tribune, 11/25/1933, p.19.

[68]The prize was awarded his Evenin’ in the Hollo. C. J. Bulliet, “Around the Galleries: Chicago in Two Shows,” Chicago Daily News, 2/15/1936, Art, Antiques and The Artists section, p.4.

[69]Letter to Ingerle from Mrs. Edson B. Fowler, 3/26/1937, Ingerle Scrapbook. The prize was awarded his Ev’nen in the Hollo.

[70]Paul T. Gilbert, “Paintings In Chicago Galleries Show Have Sanity As Well As Ruggedness,” ChicagoHerald and Examiner, 12/19/1937. Eleanor Jewett, “Two Splendid Art Exhibits Now on View,” Chicago Tribune, 12/19/1937, part 8, p.4.

[71]Letter to Ingerle from Mrs. A. McKinley, 4/15/1938, Ingerle Scrapbook. The degree of prize was determined from other sources.

[72]Paul T. Gilbert, “Art’s on Sane Basis! Mrs. Logan Picks Best,” Chicago Herald and Examiner, 9/3/1938. His Just a Rest’n, was illustrated with the article.

[73]Paul T. Gilbert, “Many Fine Pictures on Display,” Chicago Herald & Examiner, 2/19/1939. The prize was awarded his October in the Great Smokies.

[74]“Six Pictures Unveiled At Art Event,” Springville Herald, 5/2/1946. His Home, was illustrated.

[75]Letter to Ingerle from N. Vayana, 9/14/1946, Ingerle Scrapbook. The prize was awarded his Kiki.

[76]The prize was awarded his Moonlight in the Smokies, and announced in C. J. Bulliet, “Chicago Right Wing,” Art Digest, Vol. 23, 12/1/1948, p.6.

[77]Eleanor Jewett, “Three-Man Show Of Chicago Galleries Association Is In The Spotlight As The World'S Fair Art Exhibit Closes,” Chicago Tribune, 11/5/1933, p.E4.

[78]“Business Men Artists Exhibit at Institute,” The Chicago Evening Post Magazine of the Art World, 7/24/1928, p.5. “Ingerle Calls Art Ideal Recreation,” Chicago American, 7/16/1928, in Art Institute of Chicago Scrapbooks, vol. 55.

[79]His photograph appeared in “Salon Art Judges Examine Entry,” Indianapolis Star, 1/11/1945.

[80]His photograph appeared in the Indianapolis Star, 1/29/1950, Ingerle Scrapbook.

[81]Twelfth Swedish-American Art Exhibition, (Chicago: The Swedish Club, 1924).

[82]Twenty- Third Swedish American Art Exhibition, (Chicago: The Swedish Club, 4/17/1946).

[83]The All-Illinois Society of the Fine Arts - Incorporated. Century of Progress Exhibition, (Chicago: All Illinois Society of the Fine Arts, 1933).

[84]His work Night was commemorated with a poem in Eleanor Jewett, “Art,” Chicago Tribune, 2/29/1920, p.F16.

[85]Eleanor Jewett, “Art: The Song of Night Trapped by Ingerle in Chicago Exhibit,” Chicago Tribune, 2/6/1921, p.G2.

[86]His Church Meetin’s, was illustrated in the Christian Science Monitor, 10/29/1931, Ingerle Scrapbook.

[87]Catalogue of A Special Exhibition of Paintings By Members of the ChicagoSociety of Artists, (Chicago: Art Institute of Chicago, 1914), Ryerson Library, Art Institute of Chicago.

[88]Eleanor Jewett, “Art Institute Is Presenting a Diversified Group of Exhibits, Chicago Tribune, 7/19/1936 and “Art Institute Is Vital Force in This Country,” ChicagoTribune, 8/2/1936, Ingerle Scrapbook. His On the Road to Gatlinburg, was illustrated in the latter article and again in the Chicago Herald and Examiner, 10/4/1936, Ingerle Scrapbook.

[89]“Art Notes,” ChicagoDaily Journal, 5/5/1916, Ingerle Scrapbook.

[90]Louise James Bargelt, “Art,” Chicago Tribune, 3/25/1917, p.C5. Kiki was illustrated in Eleanor Jewett, “City Favored With Brilliant Art Exhibits,” Chicago Tribune, 5/7/1939, p.F4. It was featured in color in the Chicago Tribune, 5/4/1941, picture section and written about by critic Edith Weigle in “Contemporary American Art,” the same issue, p.9.

[91]His Moonlight was illustrated in The Chicago Evening Post Magazine of the Art World, 11/1/1927, p.3.

[92]His Moonrise on the Tuckaseegee River, was illustrated in the Chicago Tribune, 3/26/1933, Ingerle Scrapbook.

[93]His work was commented upon favorably by Eleanor Jewett, “Good Painting Big Boost at Carson Gallery,” Chicago Tribune, 3/2/1933, Ingerle Scrapbook.

[94]Letter to Ingerle from Edwin Barrie, 5/4/1922, Ingerle Scrapbook.

[95]Eleanor Jewett, “Here's Exhibition That Pleases Senses; Stands Criticism, Too,” Chicago Tribune, 3/4/1930, p.29.

[96]“Bit of Mixture in This Art- Woodlands, Indians and Boys,” Chicago Evening Post, 11/3/1931, Art Section, p.8.

[97]Op. cit., Jewett, “Summer Finds…,” Chicago Tribune, undated, Ingerle Scrapbook, and Ernest L. Heitkamp, “Quality of Art May Be Hurt by Depression,” Chicago Herald and Examiner, 7/14/1935, Ingerle Scrapbook.

[98]His Along Pigeon River was illustrated in Paul T. Gilbert, “Paintings in Chicago Galleries Show Have Sanity as Well as Ruggedness,” Chicago Herald and Examiner, 12/19/1937.

[99]Marcia Winn, “Glory of Fair Lives Again in Exhibition,” Chicago Tribune, 1/17/1935, p.19. C. J. Bulliet, “Around the Galleries: As Painters Saw the Fair,” Chicago Daily News, 1/19/1935, Art, Antiques and The Artists section, p.6.

[100]Eleanor Jewett, “Art And Artists,” Chicago Tribune, 2/25/1923, p.D13.

[101]Letter to Ingerle from Laura R. Way, 2/6/1911, Ingerle Scrapbook.

[102]“Ingerle Has Painting in Garfield Exhibit,” Glencoe News, 2/28/1936, Ingerle Scrapbook and Second Annual Exhibition at the New Garfield Park Galleries; Showing works purchased by the Commission for the Encouragement of Local Art, (Chicago: Chicago Park District, Art Institute of Chicago, 1936), Ryerson Library, Art Institute of Chicago.

[103]C. J. Bulliet, “Around the Galleries: Painting by Light,” Chicago Daily News, 8/25/1934, Art and Artists, p.9.

[104]C. J. Bulliet, “Around the Galleries: World’s Fair Scenes” Chicago Daily News, 8/3/1935, Art, Antiques and The Artists section, p.9.

[105]“200 Illinois Artists Entered in Exhibit at Products Exposition,” unknown newspaper clipping, 9/20/1924, Ingerle Scrapbook.

[106]Letter to Ingerle from Thorne Deuel, 3/29/1941, Ingerle Scrapbook.

[107]Letter to Ingerle from M. F. Johnston 3/2/1908, Ingerle Scrapbook. Letter to Ingerle from Mrs. Charles Bierkans, 3/14/1908, Ingerle Scrapbook.

[108]Letter to Ingerle from J. Arthur MacLean, 4/6/1926, Ingerle Scrapbook.

[109]The Association chose works from their members to send to the fair and then exhibited the works upon return in the gallery. C. J. Bulliet, “Around the Galleries: Back From The Fair – Iowa Fair,” Chicago Daily News, 9/16/1939, Art, Antiques & the Artists Section, p.6.

[110]Letter to Ingerle from Marshall Field & Company Gallery, 9/5/1913, Ingerle Scrapbook.

[111]Letter to Ingerle from Walter L. Goepel, 3/10/1926, Ingerle Scrapbook.

[112]Letter to Ingerle from Maurice I. Flagg, 6/14/1913, Ingerle Scrapbook.

[113]Eleanor Jewett, “North Shore League Gives Fine Show of Paintings, Handicrafts,” Chicago Tribune, 12/23/1929, p.33.

[114]“ ‘No-Jury’ Artists Exhibit in Chicago,” American Art News, Vol. XX, No. 39, 8/19/1922, p.3.

[115]Op. cit., Chicago Tribune, 12/5/1909, part 9, p.4.

[116]His After The Shower – Ozark Mountains, was illustrated in the catalogue and was illustrated in Agnes Gertrude Richards, “The Palette and Chisel Club Exhibit,” Fine Arts Journal, Vol. 34, May 1916, p.238.

[117]“Art and Artists,” ChicagoEvening Post, 11/19/1910.

[118]Ingerle organized the show. “Chicago Show Opens Feb. 13 in Art Gallery,” Rockford Gazette, 2/7/1928, in Art Institute of Chicago Scrapbooks, vol. 54, p.105.

[119]“Shawnee Artists Show,” The Chicago Evening Post Magazine of the Art World, 11/18/1930, p.2.

[120]His Just A-Restin’, was illustrated in the Chicago Daily News, Art and Music section, 9/10/1938.

[121]He sold at least one painting, Marshbirds Strait, from the 1908-1909 show to a Chicagocollector. Letter to Ingerle from Walter MarshallClute, 2/12/1909, Ingerele Scrapbook.

[122]Letter to Ingerle from George Herbert Baker, 3/4/1911, Ingerle Scrapbook.

[123]“Many Excellent Canvases At Art League’s Exhibition,” unknown South Bend newspaper, no date, 1912, Ingerle Scrapbook.

[124]“Springville Art Show Opens Sunday For Month,” Deseret News, 3/31/1934, Music, Art & Literature section, Ingerle Scrapbook. His Mt. Pisgah was illustrated.

[125]Letter to Ingerle from Mae Huntington, 4/6/1937and illustration of Patterns of the Mist, Salt LakeTribune, 4/4/1937, both Ingerle Scrapbook.

[126]Letter to Ingerle from Mae Huntington, 5/17/1939, Ingerle Scrapbook.

[127]Letter to Ingerle from Helen C. Benbridge, 3/6/1914, Ingerle Scrapbook.

[128]“Czech Artists Show Work At Toman Library,” Chicago Tribune, 7/6/1947, p.W1.

[129]C. J. Bulliet, “Around the Picture Galleries: Religious Art Festival,” Chicago Daily News, 3/17/1934, Art Section, p.6.

[130]“Association Closes Art Exhibit Today,” 11/5/1912, Terre Haute Star, and “Treat Awaits Lovers of Art at Exhibit at Fairbanks Library,” Terre Haute Star, 11/1/1912, Ingerle Scrapbook.

[131]Carl R. Krafft and August Petrtyl shared in this exhibition, where their studios were also located, see: “Art and Artists,” Chicago Evening Post, 12/17/1914, p.8, and notice of the exhibition, December 1914, Ingerle Scrapbook.

[132]Taneycomo News, 10/23/1914, Ingerle Scrapbook.

[133]“Art Exhibition At Springfield Club Will Open Today,” Springfield Missouri Republican, 11/14/1914, p.8.

[134]A series of articles about this exhibit appeared in the Springfield Republican: “Plan Art Society Here For Displays,” 10/20/1915; “To Oranize Art Society Monday,” 10/24/1915; “Veritable Trip Through Ozarks Afforded Those Who View Paintings,” 10/28/1915; “Art Devotees Are Guests At Exhibit,” 10/29/1915.

[135]He shared this exhibition with Rudolph Ingerle. Mention was made in “Exhibitions at the galleries,” Chicago Tribune, 1/13/1918, p.D7.

[136]Lena M. McCauley, “Street Art Exhibit for Stoney Island Ave.,” in “News Of The Art World,” supplement, ChicagoEvening Post, 2/13/1923.

[137]The exhibit featured two other Palette & Chisel Club members, Oskar Gross and J. Jeffrey Grant. The Palette and Chisel, Vol. 2, October 1925, p.6.

[138]“Rudolph Ingerle,” The Chicago Evening Post Magazine of the Art World, 3/27/1928, p.5.

[139]“Outstanding Exhibit At Highland Park By Rudolph Ingerle,” unknown [Highland Park] newspaper, 12/27/1929, Ingerle Scrapbook.

[140]Tom Vickerman, “Gavencky, Ingerle and Van Pappelendam,” The Chicago Evening Post Magazine of the Art World, 8/19/1930, p.1. His On the Road to Gattenberg, Tenn., was illustrated in the Chicago Examiner, 7/?/1930, Ingerle Scrapbook. See also: Marguerite B. Williams, “Five Chicagoans Have Paintings On Exhibition,” Chicago Daily News, 7/3 or 8/1930, Ingerle Scrapbook. His The Branch was illustrated in Eleanor Jewett, “American Paintings at Knoedler’s,” Chicago Tribune, 8/17/1930, p.F6. Marguerite B. Williams, “Five Chicagoans Have Paintings on Exhibition,” Chicago Daily News-Journal, 7/28(?)/1930, in AIC Scrapbooks, Vol. 57, p.134.

[141]He shared this exhibition with fellow artists Karl A. Buehr, Paul Trebilcock, Frank C. Peyraud and Roy Collins. Eleanor Jewett, “Figures Lead in American Show: Notes on Art and Artists,” Chicago Tribune, 11/2/1930, p.H3.

[142]His Twilight on Nantahalla, was illustrated in The Chicago Evening Post Magazine of the Art World, 3/11/1930, p.2.

[143]“Smoky Mountain Paintings to be Exhibited Here,” Kenosha Evening News, 5/8/1931, Ingerle Scrapbook.

[144]This was a sort of memorial with a few of Joseph Birren’s friends also invited to exhibit. C. J. Bulliet, “Around the Picture Galleries: In Birren’s Studio,” Chicago Daily News, 1/27/1934, Art Section, p.26.

[145]Exhibition of Paintings, (Chicago: Chicago Galleries Association, 4/24/1935), Ingerle Scrapbook. His Aunt Mary was illustrated in Eleanor Jewett, “Charms of Spain Subject of New Exhibit Here: An Imperative Character Study,” Chicago Tribune, 5/19/1935, p.E4. The show was reviewed in Eleanor Jewett, “Diversified Art Exhibit Taxes the Adjectives: Ingerle Landscapes and Harper Portraits,” Chicago Tribune, 4/27/1935, p.17, and Eleanor Jewett, “Two Interesting New Art Shows Opened Here: Ingerle Proves His Skill as Figure Painter in Chicago Galleries Exhibit,” Chicago Tribune, 5/5/1935, p.E4. See also: C. J. Bulliet, “Around the Galleries: Smoky Mountains Eternal,” Chicago Daily News, 4/27/1935, Art, Antiques and The Artists section, p.9.

[146]Untitled clipping, Chicago Tribune, c.2/28/1936, Ingerle Scrapbook.

[147]Letter of notice to I. D. Berg from ChicagoGalleries Association, 3/24/1937, Ingerle Scrapbook. Eleanor Jewett, “Trio of Art Shows Brings March to Close,” Chicago Tribune, 3/?/1937, Ingerle Scrapbook. Paul T. Gilbert, “Chicago Galleries Showing Ingerle’s Poetic Paintings,” Chicago Herald and Examiner, 4/?/1937, Ingerle Scrapbook. C. J. Bulliet, “Around the Galleries: Miniaturists and Others,” Chicago Daily News, 3/20/1937, Art, Antiques and The Artists section, p.4R.

[148]Invitation to the museum, 9/15/1937, Ingerle Scrapbook. His Salt of the Earthwas featured in “Mint Is Exhibiting Ingerle Paintings,” Charlotte Observer, 9/19/1937, Ingerle Scrapbook. The painting was also illustrated in the Bryson City Times, 9/23/1937. His Moonlight On The Mountain was illustrated in the Charlotte News, 10/3/1937. The painting was later used as an illustration for a calendar of the Association of Chicago Painters and Sculptors, unknown newspaper clipping, 9/29/1941, Ingerle Scrapbook. See also letter to Ingerle from N. W. Willard, 1/23/1942, Ingerle Scrapbook.

[149]C. J. Bulliet, “Around the Galleries: Ingerle’s Smokies,” Chicago Daily News, 7/30/1938, Art and Music Section, p.15. Ingerle was featured in “The Smokies – On Canvas,” Motor News, August 1938.

[150]Eleanor Jewett, “E. T. Grigware, Ingerle Have Splendid Show,” Chicago Tribune, 2/7/1939. His A Matriarch Of The Smokies was illustrated in the Chicago Tribune, 2/26/1939, Ingerle Scrapbook. C. J. Bulliet, “Around the Galleries: Ingerle Sees Anew His ‘Smokies,’” Chicago Daily News, 2/11/1939, Art and Music Section, p.11.

[151]The exhibit was shared with Tunis Ponsen and Carl Hoerman. “Three Artists To Exhibit At N. D. Galleries,” South Bend News Times, 10/2/1938.

[152]“First President of Art League in One-Man Show,” Glencoe News, 4/20/1939.

[153]“Rudolph Ingerle’s Paintings Will Open Museum Season,” Charlotte Observer, no date, 1944, Ingerle Scrapbook. His Aunt Winchester was illustrated in the Charlotte Observer, 8/6/1944. See also Dorothy Knox, “I Believe Everything,” Charlotte News, 10/24/1944, Ingerle Scrapbook.

[154]Paul W. Whitener, “Ingerle Landscapes of N. C. MountainsDisplayed Here,” HickoryDaily Record, 1/2/1945.

[155]Announcement card, 11/18/1946, Ingerle Scrapbook.

[156]“Rudolph Ingerle To Exhibit Works at Village House Sunday,” unknown Highland Park newspaper clipping, 3/27/1949, Ingerle Scrapbook.

[157]Reviewed in C. J. Bulliet, “Art in Chicago,” Art Digest, Vol. 25, 2/15/1951, p.15.

[158]Letter to Ingerle from J. S. Dickerson, 12/17/1927, Ingerle Scrapbook.

[159]Ingerle donated the piece to the park service. Letter to Ingerle from Arthur Stupka, 10/31/1949, and letter to Ingerle from Robert P. White, 3/30/1950, Ingerle Scrapbook.

[160]Letter to Ingerle from Jane D. Atwater, Ingerle Scrapbook.

[161]His Salt of the Earth was illustrated in Chicago Modern 1893-1945, (Chicago: Terra Museumand University of Chicago Press, 2004), p.123.

[162]Betty Karger, “Interviews with Interesting Highland Park Personalities,” Highland Park local newspaper, 3/19/1936, Ingerle Scrapbook.

[163]“Crazy Art Movement,” St. Louis Globe Democrat, 11/7/1915.

[164]The work was illustrated in Chicago Tribune, 3/17/1929, p.D7.

Edgar Spier Cameron