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Art of Today Chicago 1933 by J. Z. Jacobson

When this book was published by L. M. Stein in 1932 it was groundbreaking for its treatment of modern art and coverage of those artists in Chicago who were then coming into favor with a conservative public.

 

The Century of Progress world's fair in many aspects paved the way for this book and subject matter. The twenty years between the International Exhibition of Modern Art (Armory Show) of 1913 and the world's fair saw a slow acceptance in Chicago of modern art. Ashcan and modern artist George Bellows came to teach at the Art Institute as a guest professor in 1919 as did Randall Davey. Their influence at the School of the Art Institute helped generate acceptance and enthusiasm.

 

By the early 1920s art juries were coming to include those younger artists who were painting in a more modern mode. The No-Jury Society of Artists and other more radical groups were formed including NeoArlimusc and Neoterics. Jacobson's book then was a sort of culmination of the coming of age of modern art in Chicago by local artists.

ALEXANDER KATZ

ARCHIBALD MOTLEY

BEATRICE LEVY

BELLA SCHNEE

BELLE BARANCEANU (GOLDSCHLAGER)

CHARLES BIESEL

CONSTANTINE POUGIALIS

DAVENPORT GRIFFEN

DAVID BEKKER

EDOUARD CHASSAING

ELIZABETH COLWELL

EMIL ARMIN

EMILE JACQUES GRUMIEAUX

EVA WATSON SCHUTZE

FLORA SCHOFIELD

FRANCES STRAIN

FRANCIS FOY

FRANK SOHN

FRED BIESEL

FREDERICK REMAHL

GEORGE JOSIMOVICH

GEORGE MELVILLE SMITH

GREGORY ORLOFF

GREGORY PRUSHECK

GUSTAF DALSTROM

HAROLD SCHULTZ

INCREASE ROBINSON

IVAN ALBRIGHT

JEAN CRAWFORD ADAMS

JOSEPH VAVAK

JULIO DE DIEGO

LAURA VAN PAPPLENDAM

LOUIS NEEBE

MACENA BARTON

MAE SYBIL LARSEN

MALVIN ALBRIGHT

MILTON DOUTHAT

MINNIE NEEBE

MORRIS TOPCHEVSKY

MURVIN GILBERT

PAUL KELPE

RIFKA ANGEL

ROMOLO ROBERTI

SAM OSTROWSKY

SAMUEL GREENBURG

THOMAS KEMPF

TUD KEMPF

V.M.S. HANNELL

WEINER, LOUIS

WILLIAM JACOBS

WILLIAM SCHWARTZ

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